In forestrial Southern Sweden in the 16th Century, Inge, a young nobleman, searches for Arild, his lost identical twin brother. In a story of mistaken identities, Inge is firmly believed to be Arild b...
Werk- und Reisebilder. Regie: Oberingenieur
Erik Lund is a celebrated professor of child psychology, well known for his humanistic theories. While his sister is away on vacation, he has the opportunity of trying his theories out on her five kid...
So close to the source is the jumping dancing stream of colours that no forms or shapes can be captured. The thunder of creation is so loud, so strong, that the joy of movement foreshadow future possi...
Drozdov talk of his understanding of 'freedom'. He compares present freedom as it used to be in the Ukraine; he describes how close friendships, earlier as now, create a space in which a feeling of fr...
The atomic world cannot be seen, in the classic way, as an independent reality. The observers choice of measuring apparatus decides what we shall see. The American physicist John Wheeler says that we ...
With a slight bow to Cornell Woolrich's mystery novel Rendezvous in Black, this crime thriller deals with a series of murders that at first do not seem to be in any way inter-connected. Gradually, a p...
Where is the spring roll? Is China now open to travellers? In 1984 somebody wrote to a newspaper: 'The smaller towns in China are closed - you can only see the rice farmer from the train window'. Coul...
"Above and Below" (2012-14)
Szene aus "Noise and Resistance"
Christobal Farais, Rifka Lodeizen in"Messi and Maud" (2017)
"Above and Below" (2012-14)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Filmplakat für die Berliner Aufführungen von "Nürnberg und seine Lehre", welche druch die sowjetische Blockade bis Mai 1949 verzögert wurden
German movie poster of "Messi and Maud" (2017)
Irmin Schmidt in "Can and Me" (2022)
Die Eiko-Kriegswoche im Dienste der Auslandsaufklärung, Der Kinematograph, 453, (1915), S. 22. Bericht über eine Vorführung von Eiko-Wochenschaubildern vor dem amerikanischen Botschafter.
Time report, 02 October 1958, on "The Indian Tomb".
Costume list for "Der Czardas-König (Die Emmerich-Kalman-Story)".
Bergmann, Franz. "Die Konzessionspflicht Der Kinematographentheater." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 153-163. Bericht über das die neu erlassene Ko...
Daily production report No. 32, 17 November 1961 on the shooting of "Auf Wiedersehn".