Steel making processes at Glengarnock Iron and Steel works.
The Forth and Clyde Canal's operations on its last year of use.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
The sculptor Benno Schotz at work in his studio in Glasgow, and demonstrating his technique. The film examines his working methods and the themes running through his work. Much of his work is as a m...
A football match between Elgin City and an unidentified team, and the Inspection and Presentation of Colours of the Boys' Brigade (Inverness Battalion).
Various scenes of the village of Colinton from the early 1940s through to the mid 1950s.
Family Christmas from the mid 1960s.
A history of the Forth and Clyde Canal.
Bernhard Goetzke, Lil Dagover in "Der müde Tod" (1921)
Bernhard Goetzke, Lil Dagover, Walter Janssen (from left to right) in "Der müde Tod" (1921)
Walter Janssen, Lil Dagover in "Der müde Tod" (1921)
Hans-Heinrich Hardt (front) in "Cord" (2019)
Emil Jannings (standing), Robert Klein-Lörk (right) in "Der blaue Engel" (1926)
Karl Freund, Emil Jannings (left to right) while shooting "Der letzte Mann" (1924)
Fritz Rasp in scene from the Buenos Aires copy of "Metropolis", which contains numerous scenes thought to be lost. (Image editing: Dennis Neuschäfer-Rube for ZEITmagazin)
Still taken from the Buenos Aires copy of "Metropolis", which contains numerous scenes thought to be lost. (Image editing: Dennis Neuschäfer-Rube for ZEITmagazin)
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Daily call sheet for 02 July 1958 for the shooting of "Der Czardas-König (Die Emmerich-Kalman-Story)".
Daily call sheet for 06 August 1958 for the shooting of "Der Stern von Santa Clara".
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.
DIF
Julius Sternheim, Propaganda-und Aufklärungsfilme, Der Kinematograph, 592, (1918), S. 12-14. Propagandafilme müssten maßgeblich eine Botschaft verfolgen, was sie oftmals zwangsläufig langatmig mac...