Unedited footage. Views from the parish of Buarcos in Figueira da Foz, including the beach, mother church and the Tower of Redondos' (Castle) ruins. Officials attend a cerimony.
Algarve: a succession of travelling shots along roads flanked by almond trees in bloom.
Cats. Several meanings: a profession (those who repair broken tableware), a funeral car, a thief.
Depiction of the Firemen Congress in 1936, presided by the Minister of the Interior, with delegates from various countries. Parade and exercises.
Azeitão: panoramic views of snowy landscapes and vegetation covered with snow.
The President and members of the government visit Barreiro – views of the village and of CUF’s plants.
Launching of the aerial squadron initiating the cruise to the African colonies from the Aerodrome of Amadora.
Incomplet. The School of Cavalry and the field instruction: slope and entering the water in a horse exercises. As some slopes are almost vertical, fallings are inevitable.
Manuel Santos Gelke in "Benjamin Blümchen" (2019)
Manuel Cucala, Icíar Bollaín on the set of "Der Olivenbaum" (2015/16)
Manuel Santos Gelke in "Benjamin Blümchen" (2019)
Manuel Santos Gelke in "Benjamin Blümchen" (2019)
Manuel Santos Gelke (right beside Benjamin Blümchen) in "Benjamin Blümchen" (2019)
Romina Satiro, Manuel Unterburger in "Mademoiselle Marie" (2015/16)
Maria Ehrich, Manuel Vering in "Leaving the Frame" (2019)
Anna Castillo, Manuel Cucala in "Der Olivenbaum" (2015/16)
Commentary on the scientific films’ enormous interest, namely those using chronophotography.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.
Interview with the film operator and director about his work.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Interview with Edurardo Lopes, manager of the distribution company Fomento Artístico on the Portuguese film industry.
Film review.