Coverage of the carnival party at the Paris film theatre, in Lisbon.
Die Schauspielerin Maria Ehrich und ihr Freund, der Journalist und Filmemacher Manuel Vering, erfüllten sich Anfang 2018 einen Traum und brachen zu einer großen Reise auf. Ein halbes Jahr waren sie ...
Realfilm nach den Geschichten der berühmten Schweizer Comicfigur "Papa Moll". Im Film hat Papa Moll alle Hände voll zu tun, denn er muss Überstunden in der Schokoladenfabrik machen und sich zudem e...
Realfilm nach den Geschichten der berühmten Schweizer Comicfigur "Papa Moll". Im Film hat Papa Moll alle Hände voll zu tun, denn er muss Überstunden in der Schokoladenfabrik machen und sich zudem e...
Laya Films documentary on the training of the Republican army's mountain battalions in the Pyrenees during the Spanish Civil War. Includes images of a variety of training exercises, both on foot and o...
Laya Films documentary made during the Spanish Civil War on the Battle of Teruel. With a map of the peninsula as reference, the areas occupied by each army at the end of 1937 -the rebel zone and the a...
Views of the city. The Far with the presences of the President of the Republic and President of the Ministers’ Counci. Bullfight and car race.
1st of May celebrations. Parade with delegations of sport clubs and regional industries. Aerobatics.
Robert Stadlober, Manuel Rubey, Sebastian Bezzel, Simon Schwarz (left to right) in "Leberkäsjunkie" (2019)
Edilson Manuel Olbera Núñez, Icíar Bollaín, Carlos Acosta (front left to right) while shooting "Yuli" (2018)
Emilia Schüle, Manuel Rubey, Katja Riemann, Jannis Niewöhner (from left to right) in "High Society" (2016/17)
Manuel Dacosse, Zoé Iorio, Pierre Deladonchamps, Kilian Riedhof, Janine Jackowski (left to right) on the last day of shooting of "Meinen Hass bekommt ihr nicht" (2021)
Rafael Spregelburd, Diego Cremonesi, Mario Alarcón, Carlos Portaluppi, Manuel Vicente (left to right) in "Adiós Buenos Aires" (2023)
Carlos Portaluppi, Rafael Spregelburd, Manuel Vicente (back, left to right), Diego Cremonesi (front) in "Adiós Buenos Aires" (2023)
Commentary on the scientific films’ enormous interest, namely those using chronophotography.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.
Interview with the film operator and director about his work.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Interview with Edurardo Lopes, manager of the distribution company Fomento Artístico on the Portuguese film industry.
Film review.