Shots of the "Empress of Britain" leaving Greenock for Canada and of the interior of the Parkhead steel works.
Craigbank Gardens, Edinburgh. The film has extensive footage of allotments, vegetable gardens and people tending the crops. Portree Horticultural Show also features towards the end of the film.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
A tour of the principal centres in Scotland for road and rail networks - Stirling, Perth, Dundee, Aberdeen and Inverness.
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
A camping expedition by an uncle and his nephew, showing the do's and don'ts of the countryside code.
A film tracing the introduction of movement as a factor in 20th century art. It records various ways in which artists have tackled this development such as Gabo, Calder and Soto.
Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]
Der New Yorker Musiker Robert scheint so etwas wie eine Pechsträhne zu haben: Künstlerisch steckt er in einer Schaffenskrise und materiell sieht es so finster aus, dass er sogar aus seiner Wohnung g...
"Blown Away - Music, Miles and Magic" (2019)
Jaye Breyer P-Orridge, Genesis P-Orridge (v.l.n.r.)
German movie poster of "Blown Away - Music, Miles and Magic" (2019)
Chilly Gonzales in "Shut Up and Play the Piano" (2018)
"Blown Away - Music, Miles and Magic" (2019)
Szene aus "The Ballad of Genesis and Lady Jaye"
James Kottak, Matthias Jabs, Rudolf Schenker, Klaus Meine, Pawel Maciwoda (from left to right) in "Scorpions - Forever and a Day" (2010-15)
Historische Komödie (deutsch nachsynchron., Farbenfilm) nach dem
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.