Michael Kranz, Pascal Andres (from left to right) in "Das Märchen von der Prinzessin, die unbedingt in einem Märchen vorkommen wollte" (2012/13)
Alexandra Maria Lara, Ron Antony Renzenbrink, Wolfgang Stumph (left to right) in "Alfons Zitterbacke - Das Chaos ist zurück" (2019)
Anne Müller, Sophie Jacob, Merlin Rose, Leon Cliff (left to right) in "Wann wird es endlich wieder so, wie es nie war" (2022)
Letter from CCC-Film to the Malta Government Tourist Board, 27 July 1964, request for some shots of Malta for "Die Todesstrahlen des Dr. Mabuse".
Axel Stein, Arsseni Bultmann, Johanna Schraml, Tim Trageser, Aaron Kissiov, Rick Kavanian (left to right) while shooting "Die Wolf-Gäng" (2020)
Amelie Lammers, Jacob Matschenz, Allegra Tinnefeld, Ron Antony Renzenbrink (left to right) in "Fünf Freunde und das Tal der Dinosaurier" (2018)
Letter from CCC to Fernmeldezeugamt (Telecommunications supply office) Berlin-Schöneberg, February, 14 1955, regarding the loan of material for decoration for "Liebe ohne Illusion".
Irit Kaplan, Luise Wolfram, Moran Rosenblatt, John Carroll Lynch, Eyal Shikratzi, Aviv Pinkas (left to right) in "Kiss Me Kosher" (2020)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
Volker Michalowski, Veronica Ferres, Gael García Bernal (in the front from left to right) in "Salt and Fire" (2015/16)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
Amateur footage of the last day of tram services on the streets of Glasgow, and the evening display of Glasgow's historic trams.
Amateur footage of a coach trip from Glasgow to Rome, travelling through France, Switzerland, Liechtenstein, Germany and Austria on the way.
Romantic adventure film in which Betty, who dreams about pirates, and her father, a gullible professor, are tricked by a bunch of real pirates. They are rescued by a young man who has a crush on Betty...
Various scenes of the village of Colinton from the early 1940s through to the mid 1950s.
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.