It is a feature film based on the book of Mykolas Sluckis'Film tells the story of a dramatic and painful reality of the post-war Lithuania of 1948. Starting with a young couple walking in the ruins o...
The 20th anniversary of Lithuanian Film Studio.The building of the film studio. The meeting in the hall. Among attendees, there are filmmakers Jonas Gricius, Viktoras Starošas, Vytautas Žalakevičiu...
General Commissar Adrian von Renteln inspects the model farm. Wehrmacht weapons: tanks, artillery.
Battlefield; cannons; soldiers charge the cannon; bombardments; tanks; soldiers run; shells fall and blow up; nurse bandages the wounded soldier; line of soldiers runs in the attack; soldiers cross th...
Documentary about traditional Lithuanian folk crafts: weaving, spinning. Behind the scenes: Lithuanian folk songs. People survey and buy goods in a souvenir shop. Views of nature. Linen fabrics are bl...
Views of the river Nemunas. Interwar Lithuania’s press tells about the construction of hydroelectric power plant on the river Nemunas. Views of Kaunas. Construction of hydroelectric power plant in K...
"Newsreel". People vote: queues to the tables, bulletin urns. Bust of Stalin near the urn. Procession with J.Stalin, K.Marx portraits and red flags. Procession comes to the electoral district No. 23. ...
July 25, 1928. Lithuanian President Antanas Smetona and his escort - his wife Sofija Smetonienė, Minister of Education Konstantinas Šakenis, Chairman of Klaipėda port management, Chairman of Klaip...
Enrique Fiss in "Near and Elsewhere" (2018)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
"Near and Elsewhere" (2018)
Dokumentarischer Film-Essay, der sich aus unterschiedlichen Perspektiven der Frage nähert, wie die Zukunft der Menschheit aussehen könnte. Dabei geht es nicht zuletzt um die Frage, welche Hoffnungen...
I. RAMC men help refugees in a street in Douai to load both themselves and their belongings into a British Army lorry. As the last one is loaded the tailboard is closed up and the people wave as the l...
[Lustbarkeitssteuer für Kinos], Der Kinematograph, 424, (1915), S. 35. Bericht über Beratungen zur Lustbarkeitssteuerverordnung der Stadt Essen. Grund sei die hohe Zunahme der Zahl der Kinobesitzer ...
Hansen, Fritz. "Photographien als Reklamebilder für Kinotheater" Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 40-42. Hinweise auf das bestehende Urheberrecht in ...
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Costume excerpt for "The Indian Tomb", part of "Chandra" played by Walter Reyer.
Daily production report No. 34, 16 February 1966 on the shooting of "Lange Beine - lange Finger".
Die Eiko-Kriegswoche im Dienste der Auslandsaufklärung, Der Kinematograph, 453, (1915), S. 22. Bericht über eine Vorführung von Eiko-Wochenschaubildern vor dem amerikanischen Botschafter.