Following a heart attack, crooner Alexander Ludwig is sent to a rehab hospital. This wouldn′t be to bad, but since his near-death experience, Alexander is also partly amnesiac, which leads to ab...
The State of ThingsWim Wenders' black and white film – which was awarded the Grand Prize at the Venice Film Festival – belongs to that rich subgenre of New German Cinema which focuses on filmmakin...
The first longterm documentary on a German pro-footballer: Between 2003 and 2011, director Aljosha Pause followed young player Thomas Broich, who at the age of 22 was considered one of Germany′s...
The video shows the first five minutes of the film.
"Mörderspiel" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe" (FFE)...
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film.
"Die Stunde, die du glücklich bist" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderpr...
"Morgen, Findus, wird"s was geben" (2005/06)
Sandra Nettelbeck while shooting "Was uns nicht umbringt" (2018)
"Schilf - Alles, was denkbar ist, existiert" (2011/12)
Hans-Christian Schmid on the set of "Was bleibt" (2012)
Holger Haase on the set of "Da geht noch was" (2012/13)
Ava Petsch while shooting "Was man von hier aus sehen kann" (2022)
German movie poster of "Sie nannten ihn Krambambuli" ("Was geschah auf Schloss Wildberg", 1971/72)
a part of the feast was also a theatre performance
The film "Was ich von der Gnädigen lernte" was permitted by the censorship office in Berlin with age restriction (only for adults 18 years of age or older) and cuts (two scenes were prohibited).