Paula lives with her mother in a form of society whose population is divided into three classes: there are "main characters", "supporting characters" and "outtakes", designations borrowed from the fil...
The Fox Austria, mid-1920s: Out of sheer poverty and hardship, the Streitberger family sends their youngest son, Franz, to work as a farmhand for a large farmer. At 18, Franz can finally leave the far...
The video shows the first five minutes of the film.
"Großstadtschmetterling" was digitized by DFF - Deutsches Filminstitut & Filmmuseum as part of the film heritage funding program "Förderprogr...
The video shows the first five minutes of the film.
"Der Rebell. Die Feuer rufen" was digitized by DFF - Deutsches Filminstitut & Filmmuseum as part of the film heritage funding program "För...
The video shows the first five minutes of the film.
"Geschichten aus dem Wiener Wald" was digitized by DFF - Deutsches Filminstitut und Filmmuseum as part of the film heritage funding program "FÃ...
The video shows the first five minutes of the film.
"Hunde, wollt ihr ewig leben?" was digitized by DFF – Deutsches Filminstitut & Filmmuseum as part of the film heritage funding program "Förd...
The video shows the first five minutes of the film.
"Der Reigen" was digitized by DFF - Deutsches Filminstitut & Filmmuseum as part of the film heritage funding program "Förderprogramm Filme...
The video shows the first five minutes of the film. Film synopsis: Ulrich Schamoni's first feature film is one of the first works of young German cinema: Sabine Sinjen and Bruno Dietrich play an archi...
Niklas Bruhn, Ariadna Rubio Lleó in "So was von da" (2017)
Martina Schöne-Radunski in "So was von da" (2017)
Tinka Fürst in "So was von da" (2017)
David Schütter in "So was von da" (2017)
Niklas Bruhn, Mathias Bloech (left to right) in" So was von da" (2017)
Martina Schöne-Radunski, Niklas Bruhn (front) in "So was von da" (2017)
Niklas Bruhn, David Schütter (left to right) in "So was von da" (2017)
Kalle Schwensen (center) in "So was von da" (2017)
There was no kind of restriction noted.
Kinemathograph, 228/26
The film was permitted for young people under 16 years.
The production company "Boehner-Film, Dresden" applied against the partial ban of the film "Was ich von der Gnädigen lernte" at the censorship headquarter in Berlin. The application was rejected.
The film was permitted for young people under 16 years.