"Anuschka" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe" (FFE) in 2020. filmportal.de, the central internet platform for...
The video shows the first five minutes of the film. Film synopsis: Since an uprising has broken out in Tunisia and threatens the work in the copper mines, René Bertell is sent by his uncle, the owner...
The video shows the first five minutes of the film.
"Adieu Mascotte" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe" (FF...
The video shows the first five minutes of the film.
"Der große Schatten" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe...
The video shows the first five minutes of the film.
"Der Mörder Dimitri Karamasoff" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogra...
The video shows the first five minutes of the film.
"Voruntersuchung" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe" (F...
The video shows the first five minutes of the film. Film synopsis: Hendrik and Willi are the owners and crew of a canal barge. They travel up and down the Havel River, have girlfriends here and there,...
Guide to walking in the shadows The birth and development of the porticoes of Bologna, beginning in the Middle Ages. Following a brief historical investigation into the origins of the porticoes and th...
"Was nicht passt, wird passend gemacht" (2002) (Dreharbeiten)
Sandra Nettelbeck while shooting "Was uns nicht umbringt" (2018)
"Schilf - Alles, was denkbar ist, existiert" (2011/12)
Hans-Christian Schmid on the set of "Was bleibt" (2012)
Ava Petsch while shooting "Was man von hier aus sehen kann" (2022)
Holger Haase on the set of "Da geht noch was" (2012/13)
German movie poster of "Sie nannten ihn Krambambuli" ("Was geschah auf Schloss Wildberg", 1971/72)
a part of the feast was also a theatre performance
There was not any kind of restriction noted.
The film title was changed from "Alles, was wir lieben!" to "Alles Schwindel".
Kinematograph, 149/27
Kinemathograph, 246/26
There was no kind of restriction noted.
Morgenpost,
Paimann´s Filmlisten,