The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film.
"Der schwarze Husar" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe"...
The video shows the first five minutes of the film.
"Der Mann, der den Mord beging" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogram...
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film.
"Nie wieder Liebe" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe" (...
The video shows the first five minutes of the film.
"Das Flötenkonzert von Sanssouci (stumme Fassung)" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding pro...
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
Szene aus "Schulmädchen-Report 6. Teil: Was Eltern gern vertuschen möchten"
Szene mit Rinaldo Talamonti
Szene aus "Schulmädchen-Report 6. Teil: Was Eltern gern vertuschen möchten"
Szene aus "Schulmädchen-Report 6. Teil: Was Eltern gern vertuschen möchten"
Hannelore Elsner, Christof Wackernagel , Gila von Weitershausen (v.l.n.r.)
Christof Wackernagel
Christof Wackernagel, Gila von Weitershausen
Hannelore Elsner, Christof Wackernagel
The film was full admitted.
The film was full admitted.
The film was full admitted.
The film was full admitted.
The film was full admitted.
There was no kind of restriction noted.
There was no kind of restriction noted.
There was no kind of restriction noted.