The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film.
"Der schwarze Husar" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe"...
The video shows the first five minutes of the film.
"Der Mann, der den Mord beging" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogram...
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film.
"Nie wieder Liebe" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe" (...
The video shows the first five minutes of the film.
"Das Flötenkonzert von Sanssouci (stumme Fassung)" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding pro...
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
"Morgen, Findus, wird"s was geben" (2005/06)
Sandra Nettelbeck while shooting "Was uns nicht umbringt" (2018)
"Schilf - Alles, was denkbar ist, existiert" (2011/12)
Hans-Christian Schmid on the set of "Was bleibt" (2012)
Holger Haase on the set of "Da geht noch was" (2012/13)
Ava Petsch while shooting "Was man von hier aus sehen kann" (2022)
German movie poster of "Sie nannten ihn Krambambuli" ("Was geschah auf Schloss Wildberg", 1971/72)
a part of the feast was also a theatre performance
The film "Was ich von der Gnädigen lernte" was permitted by the censorship office in Berlin with age restriction (only for adults 18 years of age or older) and cuts (two scenes were prohibited).