Daily production report No. 26, 16 March 1964 on the shooting of "Das Ungeheuer von London-City" (working title: Das unheimliche Erbe).
Letter from Venice Intenational Film Festival to CCC-Film, 20 September 1949 (reproduction), regarding the festival screening of "Mädchen hinter Gittern".
Paul Davidson, Theodor Sparkuhl, Ernst Lubitsch, Hanns Kräly (from left to right) on the set of "Das Weib des Pharao" (1921)
Daily production report No. 25, 30 August 1961 on the shooting of "Im Stahlnetz des Dr. Mabuse" in Berlin, Spandau, Ernst-Reuter-Werk.
Daily production report No. 28, 30 August 1957 on the shooting of "Die Frühreifen" in Essen-Katernberg, Essen-Bredeney, Zeche, Schacht Albert Vögler, Ruhrgebiet.
Letter from CCC to Provinzialverwaltung Sachsen (provincial government Saxony), 07 August 1947 regarding the loan of fotomaterial for "Morituri" (working title: Die Namenlosen).
Kurt Horwitz (in the back), Otto Wernicke, Erwin Faber, Carola Neher (front, from left to right) in "Die Mysterien eines Frisiersalons" (1922/23)
Letter from CCC to Fernmeldezeugamt (Telecommunications supply office) Berlin-Schöneberg, February, 14 1955, regarding the loan of material for decoration for "Liebe ohne Illusion".
Albrecht Schuch, Maria Hofstätter (left to right) in "Pfau - Bin ich echt?" (2024)
Anton Noori, Albrecht Schuch (left to right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch (left), Theresa Frostad Eggesbø (third from right) in "Pfau - Bin ich echt?" (2024)
Roland Silbernagl, Albrecht Schuch (left to right) in "Pfau - Bin ich echt?" (2024)
Rina Juniku, Albrecht Schuch (front left to right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch in "Pfau - Bin ich echt?" (2024)
Petra Morzé (front fourth from left), Albrecht Schuch (front fourth from right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch, Anton Noori (left to right) in "Pfau - Bin ich echt?" (2024)
IIW. URSS. German landing in the russian island Oesel.
Scenes of different cadets in the Valladolid's cavalry academy in 1918.
Daily live of a high mountain farmer during the year.
An investigation of the problem of backstreet abortion in Italy.
A re-examination of the text based on illustrations of various editions of “Pinocchio” by Carlo Collodi.
A brief history of the Italian comic newspapers.
Robinet corteggia una fanciulla che sta tirando le reti a riva. Il padre della fanciulla pretende però che la figlia si metta con un pescatore, quindi Robinet si traveste e intraprende la profe...
Typical work in the working class neighborhoods of Palermo.