Long time ago a composer looses his wife dying in childbirth. He gets a daughter but at the same time looses his ability to compose. Now, 16 years later, the father is still punishing his daughter for...
Opstandelsen brings the zombie apocalypse into the house of God. Simon's three siblings gather at his funeral - where all hell breaks loose as the undead rise from their graves, driving the siblings d...
Where is the spring roll? Is China now open to travellers? In 1984 somebody wrote to a newspaper: 'The smaller towns in China are closed - you can only see the rice farmer from the train window'. Coul...
Mirush leaves Kosovo hoping to find his father in Norway, who abandoned the family when Mirush was very young. Now the father runs a restaurant in Oslo, but he is also in deep debt to the Albanian Maf...
Kresten, newly wed, is on the threshold of a great career success in his father-in-law's company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in...
Ken Duken
Natasja Juul in "Near and Elsewhere" (2018)
Episode: Das Ritual
Szene aus "Noise and Resistance"
Hendrik Heutmann, Martina Schöne-Radunski in "Love and 50 Megatons" (2019)
Filmplakat
"Above and Below" (2012-14)
Natasja Juul in "Near and Elsewhere" (2018)
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.