Das Regiedebüt der Schauspielerin Marie-Lou Sellem beleuchtet die Herausforderungen älterer Frauen, insbesondere älterer Schauspielerinnen, in einer patriarchalisch geprägten Kulturlandschaft, in ...
Documentary film about the everyday life at what is probably the most exclusive elite boarding school in the world, located in Switzerland. At first glance, the typical daily routine does not seem to ...
Film adaptation of the successful German children's book series of the same name: The film tells the story of Ida, who has to move with her parents. She doesn't feel comfortable at all in the new scho...
Film adaptation of the successful German children's book series of the same name: The film tells the story of Ida, who has to move with her parents. She doesn't feel comfortable at all in the new scho...
Mission: School of Fun At Maxe’s school, everything is ordered by the big book of rules of the petty-minded headmaster Schnittlich. Fun is forbidden and nice things end up in the Farbentsafter 2000,...
Mission: School of Fun At Maxe’s school, everything is ordered by the big book of rules of the petty-minded headmaster Schnittlich. Fun is forbidden and nice things end up in the Farbentsafter 2000,...
A documentary about the schools for Tuareg children in Aïr.
Emilia Schüle in "Nemez" (2012)
Emilia Schüle in "Nemez" (2012)
Emilia Schüle in "LenaLove" (2013-15)
Emilia Schüle (in the middle) in "Jugend ohne Gott" (2016/17)
Emilia Schüle (in the middle) in "High Society" (2016/17)
Emilia Schüle in "Die Vergesslichkeit der Eichhörnchen" (2020)
Emilia Schüle in "Die Vergesslichkeit der Eichhörnchen" (2020)
Emilia Schüle (right) in "Wunderschön" (2020)
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
There was not any kind of restriction noted.
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
There was not any kind of restriction noted.
There was not any kind of restriction noted.