The video shows the first five minutes of the film. Film synopsis: Veit Harlan′s melodrama – which is clearly informed by Nazi ideology and its notion of an indivisible bond between blood and terr...
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film. Film synopsis: Jeanette and Mimi, two extras, want to become actresses but have yet to wait for their breakthrough. Jeanette, in particular, is desp...
The video shows the first five minutes of the film. Film synopsis: Heini Gildemeister returns to Hamburg after a long stay in South America. When he sees his sister Gerda again at home, he is horrifie...
Since the collapse of the Soviet Union, life in Russia has become a struggle for survival. The looming state bankruptcy, the increase in crime and the lack of education and career opportunities have p...
The video shows the first five minutes of the film. Film synopsis: At the end of the 18th century, the rich French scholar Dr. Saussure comes to a small alpine village and offers 1000 gold pieces to w...
The video shows the first five minutes of the film.
"Die Erbschaft von New York" was digitized by DFF - Deutsches Filminstitut & Filmmuseum as part of the film heritage funding program "Förderpr...
ESPANYA AL DIA [SPAIN TODAY], Laya Films and Popular Film newsreel produced during the Spanish Civil War made up of the following news reports: 1. VALENCE. UNE NOUVELLE ECOLE (sic) Official openin...
"Morgen, Findus, wird"s was geben" (2005/06)
Sandra Nettelbeck while shooting "Was uns nicht umbringt" (2018)
"Schilf - Alles, was denkbar ist, existiert" (2011/12)
Hans-Christian Schmid on the set of "Was bleibt" (2012)
Holger Haase on the set of "Da geht noch was" (2012/13)
Ava Petsch while shooting "Was man von hier aus sehen kann" (2022)
German movie poster of "Sie nannten ihn Krambambuli" ("Was geschah auf Schloss Wildberg", 1971/72)
a part of the feast was also a theatre performance
There was not any kind of restriction noted.
The film title was changed from "Alles, was wir lieben!" to "Alles Schwindel".
Kinematograph, 149/27
Kinemathograph, 246/26
There was no kind of restriction noted.
Morgenpost,
Paimann´s Filmlisten,