Szene aus "Noise and Resistance"
Irmin Schmidt in "Can and Me" (2022)
"Above and Below" (2012-14)
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
Szene aus "Losers and Winners"
Screenshot from "Vom Glück" (1942/43)
Bernhard Goetzke, Lil Dagover in "Der müde Tod" (1921)
Bernhard Goetzke, Lil Dagover, Walter Janssen (from left to right) in "Der müde Tod" (1921)
Walter Janssen, Lil Dagover in "Der müde Tod" (1921)
Hans-Heinrich Hardt (front) in "Cord" (2019)
Emil Jannings (standing), Robert Klein-Lörk (right) in "Der blaue Engel" (1926)
Karl Freund, Emil Jannings (left to right) while shooting "Der letzte Mann" (1924)
Fritz Rasp in scene from the Buenos Aires copy of "Metropolis", which contains numerous scenes thought to be lost. (Image editing: Dennis Neuschäfer-Rube for ZEITmagazin)
Irmin Schmidt in "Can and Me" (2022)
"Above and Below" (2012-14)
Irja von Bernstorff in "The Farmer and I" (2013-16)
"Losers and Winners" (2006)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
In 1968 Irmin Schmidt and Holger Czukay founded the band Can in Cologne, which cultivated an avant-garde style somewhere between free jazz and funk, krautrock and psychedelic rock, and also experiment...
"And-Ek Ghes..." (2015/16)
Szene aus "Losers and Winners"