Mary is in love with a young farmer, who goes abroad to earn money. During his absence, Mary's family is assailed by disease and poverty. Since she has not heard from her beloved for a long time, she ...
I. An out-of-focus sequence of General Sir Edmund Allenby (?) reviewing a marchpast by British or Indian Cavalry of the Desert Mounted Corps, Palestine Front, 1918.II. Arab workers filling bottles and...
Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
Australian troops practising bomb (hand grenade) throwing from slit trenches. The explosions are filmed at various angles and distances. The 'cup final' of 7th (Meerut) Division football championships...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
The American Committee's health department brings the medical authorities' and parliamentary circles' attention to the state of children's public health in the disaster-stricken Aisne region. Seventee...
SPCA inspects farm and transport of livestock, and shows the care of both working animals and pets. Also outlines SPCA's role in rehoming animals, and in educating children about pet care.
Walter Janssen, Lil Dagover in "Der müde Tod" (1921)
Hans-Heinrich Hardt (front) in "Cord" (2019)
Emil Jannings (standing), Robert Klein-Lörk (right) in "Der blaue Engel" (1926)
Karl Freund, Emil Jannings (left to right) while shooting "Der letzte Mann" (1924)
Fritz Rasp in scene from the Buenos Aires copy of "Metropolis", which contains numerous scenes thought to be lost. (Image editing: Dennis Neuschäfer-Rube for ZEITmagazin)
Still taken from the Buenos Aires copy of "Metropolis", which contains numerous scenes thought to be lost. (Image editing: Dennis Neuschäfer-Rube for ZEITmagazin)
Marianne Hoppe, Ferdinand Marian (left to right) in "Romanze in Moll" (1944)
Marianne Hoppe in "Romanze in Moll" (1944)