Immagini documentarie sul fronte della prima guerra mondiale: l'esercito italiano tra il Brenta e l'Adige; veduta del monte Pasubio e del Monte Cimone; si trasportano truppe e cannoni; in marcia...
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
A camel train approaches and enters the city. A panorama of the city taken from the sea. Tiffin (compressed camel or horse fodder) being unloaded from ships lying out to sea by surf boats. The men wor...
The film gives a vivid and lively picture of landscape, buildings, industry and everyday life in the small city of Sandefjord in the southern parts of Norway.
Emperor Wilhelm II and empress Victoria of Germany on horses, escorted by horsemen, on their way to a parade at the Tempelhoferfeld in Berlin.
The film shows a gathering in the city of Lillehammer in Norway by farmers from Gudbrandsdalen. We also visit several places in Gudbrandsdalen before returning to the farmers' association's gathering ...
Various news items about the First World War, compiled for home projection. Optimism and emphasis on international collaboration, remains preserved and the more gruesome or embarrassing war images wer...
Anton Noori, Albrecht Schuch (left to right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch (left), Theresa Frostad Eggesbø (third from right) in "Pfau - Bin ich echt?" (2024)
Roland Silbernagl, Albrecht Schuch (left to right) in "Pfau - Bin ich echt?" (2024)
Rina Juniku, Albrecht Schuch (front left to right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch in "Pfau - Bin ich echt?" (2024)
Petra Morzé (front fourth from left), Albrecht Schuch (front fourth from right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch, Anton Noori (left to right) in "Pfau - Bin ich echt?" (2024)
Julia Franz Richter, Albrecht Schuch (left to right) in "Pfau - Bin ich echt?" (2024)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.