After a life of camera-catching of stormy events around the world, Daniel seeks peace of mind in life as a wedding photographer, recording a small town's romantic highlights. He falls in love with viv...
A female artist is troubled that she cannot finish her painting of the wandering Jew Ahasuerus. So she sends her obedient husband to find a model. After a careful search the husband eventually finds s...
Eheschauspiel (deutsch) nach dem
After a long absence, famous pianist Zetterstrøm returns from New York to his native Copenhagen on the occasion of a gala concert. A perfectionist by nature, he has one major personal flaw; he has lo...
Her dream was to make it big in Jamaica as a reggae artist. It finally came true, but not in the way she had hoped.In the beginning of 2008 she hit the number one spot on Billboard's Hot Dance Chart w...
The repatriation of the body of Queen Astrid after her fatal car accident in Switzerland.
Educational film about Belgium's reconstruction programme after World War Two.
Documentary made in Sweden for Belgian audiences after the sudden death of Queen Astrid.
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
Szene aus "Noise and Resistance"
Christobal Farais, Rifka Lodeizen in"Messi and Maud" (2017)
"Above and Below" (2012-14)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Filmplakat für die Berliner Aufführungen von "Nürnberg und seine Lehre", welche druch die sowjetische Blockade bis Mai 1949 verzögert wurden
German movie poster of "Messi and Maud" (2017)
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...