The film starts with a Belgian town in flames, and civilians lying dead in the streets. A terrified young mother with her baby is encountered by two drunken German soldiers, one carrying a smouldering...
Promotional film for Allied Hotels. We follow a coach tour round the Highlands and Western Isles of Scotland taking in Oban, Iona, Inverness, Aberdeen and Glencoe.
First in a series of monthly film reviews of Scotland. Film reconstructs a bank robbery, looks at the Borzoi dog, shoe manufacture at Saxone in Kilmarnock, latest hairdressing styles and the "first s...
Various scenes of Glasgow including Glasgow University, the Cathedral, Sauchiehall Street, Singer's factory, John Brown's shipyard and Hampden Park football stadium.
Life on Lewis in the Western Isles; herring fishing, cutting peat and crofting.
Steamers, paddles steamers and naval vessels on the river and some of the Clyde shipyards including John Brown's and Fairfields.
A children's Christmas Eve and Christmas morning. [An amateur prize-winning film of 1937].
The story of two children who visit a farm with their mother and get into all kinds of mischief. Commended at the 7th Scottish Amateur Film Festival 1940.
Christoph M. Kaiser
André M. Hennicke
M. A. Littler at the premiere of "Armenia" at Deutsches Filmmuseum, Frankfurt on November 20, 2016
Alain Croubalian, M. A. Littler (from left to right) at the premiere of "Armenia" at Deutsches Filmmuseum, Frankfurt on November 20, 2016
Franziska M. Hoenisch
Iwan Rheon in "S.U.M.1" (2017)
German movie poster of "S.U.M.1" (2017)
Iwan Rheon in "S.U.M.1" (2017)
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Prager Tagblatt, 203
Prager Tagblatt, 203
Filmwelt, 21/xx
(Der) Kinematograph, 117/xx
(Der) Kinematograph, 131/26