A Royal Engineers sergeant shows how to load two carrier pigeons into a small wicker basket for transport. At the Rosyth seaplane base Felixstowe F2A flying boats and Short 184 seaplanes ride at ancho...
I. RAMC men help refugees in a street in Douai to load both themselves and their belongings into a British Army lorry. As the last one is loaded the tailboard is closed up and the people wave as the l...
Manufacture of components for Black and Decker tools. [Incomplete]
Shots of the "Empress of Britain" leaving Greenock for Canada and of the interior of the Parkhead steel works.
Craigbank Gardens, Edinburgh. The film has extensive footage of allotments, vegetable gardens and people tending the crops. Portree Horticultural Show also features towards the end of the film.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
A tour of the principal centres in Scotland for road and rail networks - Stirling, Perth, Dundee, Aberdeen and Inverness.
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
Screenshot from "Vom Glück" (1942/43)
Screenshot from "Vom Glück" (1942/43)
Bernhard Goetzke, Lil Dagover in "Der müde Tod" (1921)
Bernhard Goetzke, Lil Dagover, Walter Janssen (from left to right) in "Der müde Tod" (1921)
Walter Janssen, Lil Dagover in "Der müde Tod" (1921)
Hans-Heinrich Hardt (front) in "Cord" (2019)
Emil Jannings (standing), Robert Klein-Lörk (right) in "Der blaue Engel" (1926)
Karl Freund, Emil Jannings (left to right) while shooting "Der letzte Mann" (1924)
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
O. Verf.. „Wo steht dieses Inserat?.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Angeführt wird ein Inserat aus dem „Kinematograph“, in dem Fillme...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.