Amateur footage of a show of wedding presents and a wedding reception.
Amateur home movie footage of family events, including home visits, trips to the seaside and riding stables.
Amateur footage of a Hazelden Riding Club gymkhana at Peel Road Field, Carmunnock.
Amateur footage of the last day of tram services on the streets of Glasgow, and the evening display of Glasgow's historic trams.
A recording of "Project 1965", a stage show organised by the Scottish Committee of the National Union of Townswomen's Guilds, with Scottish regional guilds performing tableaux from different lands.
A 'Cotter's' coach tour holiday to Austria.
Amateur footage of a coach trip from Glasgow to Rome, travelling through France, Switzerland, Liechtenstein, Germany and Austria on the way.
A history of the Eastwood area in Glasgow, and footage of new community building developments in the early 1970s.
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
"Near and Elsewhere" (2018)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Joseph Vogl in "Near and Elsewhere" (2018)
Enrique Fissin "Near and Elsewhere" (2018)
Notes on the script of "Studentin Helene Willfüer".
Letter from CCC to Meteorologisches Institut (Meteorological institute) Tübingen, 26 January 1955 regarding "Studentin Helene Willfüer".
Dialogue list (excerpt) for "Studentin Helene Willfüer".
Notes on the script "Kampf um Rom. 2. Teil: Der Verrat", handwritten by Artur Brauner.
Screenplay (excerpt) of "Kampf um Rom. 2. Teil: Der Verrat", version from 19 February 1968.
English screenplay for "Kampf um Rom. 2. Teil: Der Verrat" (version from February 1968, excerpt), with handwritten revisions from 12 August 1968.
Italian screenplay (version from February 1968, excerpt) for "Kampf um Rom. 2. Teil: Der Verrat".
English dialogue list (excerpt)for "Kampf um Rom. 2. Teil: Der Verrat", with handwritten annotations by Robert Siodmak.