Soldiers are taught to use the Lewis Machine Gun, a fixed mount weapon, during military training using pictures.
Rushes showing the terrain's condition after the March 1918 German offensive: the devastated hill of Mont Renaud, destroyed wayside cross, a deserted village. George Clemenceau's visit to the Monchy-H...
Placing flowers at the cenotaph. Marshals Joffre and Foch at the Porte Maillot in Paris. Parade of French generals on horseback and soldiers on foot, filmed from the ground and the top of the Arc de t...
The Invention Department tests Gabriel Voisin's inflatable hangar. Inflatable in less than one minute, it is submitted to military authority for use by soldiers. When inflated, a huge tarpaulin connec...
In 1915, during World War I, Tsar Nicolas II inspects his troops, then the cavalry marches past.
Daily life in a camp of Algerian spahis at the mouth of the Yser River: men resting, caring for horses, panorama of tents, portraits of Goumiers, dances, charge in the dunes and along the seaside, equ...
During World War I, soldiers transport 75 mm field guns, towed by horses across the countryside, then begin shooting.
A man is drawing Uncle Sam sitting on a pile of bags filled with dollar bills. Little by little, modeling clay starts to replace the drawing. Dark clouds form near him and take the shape of an intimid...
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Gustav Fröhlich, Lars Hanson (from left to right)
Dita Parlo, Gustav Fröhlich
Gustav Fröhlich
Still with Paul Wegener (third on the left)
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Wegener, Lyda Salmonova
Paul Wegener
Draft of the prologue
Preliminary budget
List of costumes and stage properties
Contest for the music to the film
Conditions of screening in Bio Fenix in Prague
Behne, Adolf. „Kino und Geschichtsklitterung.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 15-17. A.B. beschreibt den historischen Film als Genre, das wie g...