Komödie nach einer Erzählung von
"Love and 50 Megatons" (2019)
Hendrik Heutmann, Martina Schöne-Radunski in "Love and 50 Megatons" (2019)
"Love and 50 Megatons" (2019)
A Royal Engineers sergeant shows how to load two carrier pigeons into a small wicker basket for transport. At the Rosyth seaplane base Felixstowe F2A flying boats and Short 184 seaplanes ride at ancho...
Komödie mit
Albrecht Schuch (left), Theresa Frostad Eggesbø (third from right) in "Pfau - Bin ich echt?" (2024)
Roland Silbernagl, Albrecht Schuch (left to right) in "Pfau - Bin ich echt?" (2024)
Rina Juniku, Albrecht Schuch (front left to right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch in "Pfau - Bin ich echt?" (2024)
Petra Morzé (front fourth from left), Albrecht Schuch (front fourth from right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch, Anton Noori (left to right) in "Pfau - Bin ich echt?" (2024)
Julia Franz Richter, Albrecht Schuch (left to right) in "Pfau - Bin ich echt?" (2024)
Albrecht Schuch (right) in "Pfau - Bin ich echt?" (2024)
Shots of the "Empress of Britain" leaving Greenock for Canada and of the interior of the Parkhead steel works.
Craigbank Gardens, Edinburgh. The film has extensive footage of allotments, vegetable gardens and people tending the crops. Portree Horticultural Show also features towards the end of the film.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
A tour of the principal centres in Scotland for road and rail networks - Stirling, Perth, Dundee, Aberdeen and Inverness.
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
A camping expedition by an uncle and his nephew, showing the do's and don'ts of the countryside code.
A film tracing the introduction of movement as a factor in 20th century art. It records various ways in which artists have tackled this development such as Gabo, Calder and Soto.
Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]