Building of thermal power station in Elektrėnai, the biggest in Lithuania. Construction site: cranes at work. Panels of concrete are raised. The four-storey residential houses are built. Railway trac...
Lithuanian activity in Chicago in 1938. The demonstration of the 1st of May. The meeting, speeches. The day of cemetery decoration. Lithuanian national cemetery. People in the cemetery, monuments. Tex...
Documentary tells about wild animals which face with difficulties in the winter and spring. Animals are helped to survive by man. In winter a man carries food into the forest and fights with predators...
The panoramic view of Zarasai town. The towers of church. The view to the town from the lake side. Pupils honour the grave of M. Melnikaitė. Children with flowers near school. The group of pupils com...
Film was filmed in Krasnodar, Tallinn, Moldova, Leningrad (now Saint Petersburg) and Uzbekistan. Agricultural works in the village of Russian Empire: a peasant plows, cuts the grass with scythe, flail...
German soldiers. Checking of documents. A passer-by unsuccessfully tries to run. Cabinet drawer with cards. Taking of fingerprints. Exploring of obtained fingerprints with a lip. The poster with the i...
A promotional film about Lithuania's capital Vilnius, its streets, people, architectural monuments, new buildings, entertainment.
Lithuanian diplomate Stasys Lozoraitis speaks in the conference in Riga. He wishes a happy political future for Latvia, Estonia and Lithuania, and hopes that the political relations between Baltic cou...
Gustav Fröhlich (front) in "Asphalt" (1929)
Albert Steinrück, Else Heller, Gustav Fröhlich (left to right) in "Asphalt" (1929)
Betty Amann, Gustav Fröhlich (left to right) in "Asphalt" (1929)
Trude Lieske, Betty Amann (left to right) in "Asphalt" (1929)
Albert Steinrück, Else Heller, Gustav Fröhlich (first to third from left), Betty Amann (right) in "Asphalt" (1929)
Hans Albers, Hilde Hildebrand (left to right) in "Große Freiheit Nr. 7" (1944)
Hans Albers in "Große Freiheit Nr. 7" (1944)
Hans Albers in "Große Freiheit Nr. 7" (1944)
L. B., Berliner Filmneuheiten, Der Kinematograph, 667, (1919), S. 25-27. "Kaiser Wilhelms Glück und Ende" sei noch am Vortag der Uraufführung vom Innenministerium verboten worden. Der Film stelle ei...
[Lustbarkeitssteuer für Kinos], Der Kinematograph, 424, (1915), S. 35. Bericht über Beratungen zur Lustbarkeitssteuerverordnung der Stadt Essen. Grund sei die hohe Zunahme der Zahl der Kinobesitzer ...
Hansen, Fritz. "Photographien als Reklamebilder für Kinotheater" Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 40-42. Hinweise auf das bestehende Urheberrecht in ...
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Costume excerpt for "The Indian Tomb", part of "Chandra" played by Walter Reyer.
Daily production report No. 34, 16 February 1966 on the shooting of "Lange Beine - lange Finger".