Trügerische Welten, das Leben als Puzzle, Nichtschwimmer in einem Meer aus Eindrücken, Bauchredner, die sich mit ihrer Puppe verwechseln, der eigene Schlaf im Innern einer Sanduhr, die Beerdigung de...
Actually Giant Fox & William Honda just wanted to enjoy a coffee together, but the afternoon is getting more adventurous than they thought.
Actually Giant Fox & William Honda just wanted to enjoy a coffee together, but the afternoon is getting more adventurous than they thought.
Actually Giant Fox & William Honda just wanted to enjoy a coffee together, but the afternoon is getting more adventurous than they thought.
Actually Giant Fox & William Honda just wanted to enjoy a coffee together, but the afternoon is getting more adventurous than they thought.
Actually Giant Fox & William Honda just wanted to enjoy a coffee together, but the afternoon is getting more adventurous than they thought.
Maleika lebt in Europa, Pombalo in Afrika. Sie sammelt Strandgut, er fängt Fische. Als die Netze leer bleiben, macht er sich auf den Weg übers Meer nach Europa. An der Küste treffen sie einander wi...
In "Last Chance Junction" geht es um Vorstellung und Aneignung, um reisende Fotografen und fotograferende Reisende, um den Versuch, alles richtig zu machen. Und um weiße Menschen, die afrikanische He...
Hans Albers, Birgitte Horney
Leo Slezak (second from left), Hans Albers (second from right) in "Münchhausen" (1943)
Leo Slezak (left), Hans Albers (right) in "Münchhausen" (1943)
Hans Albers, Brigitte Horney (left to right) in "Münchhausen" (1943)
Gustav Fröhlich, Joe May (left to right) while shooting "Asphalt" (1929)
Gustav Fröhlich, Albert Steinrück (left to right) in "Asphalt" (1929)
Gustav Fröhlich (left) while shooting "Asphalt" (1929)
Betty Amann, Gustav Fröhlich (left to right) in "Asphalt" (1929)
A nostalgic documentary that records the arrival of modernity in Bologna. A series of photos are shown from the beginnings of the 1900’s demonstrating how the urban space was constructed around the ...