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VIDEOS
(3 Resultados)

Der weiße Dämon
Feature film / Extract
1932
Friedrich-Wilhelm-Murnau-Stiftung

The video shows the first five minutes of the film. Film synopsis: Heini Gildemeister returns to Hamburg after a long stay in South America. When he sees his sister Gerda again at home, he is horrifie...

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Kind, ich freu' mich auf Dein Kommen
Feature film / Extract
1933
Friedrich-Wilhelm-Murnau-Stiftung

The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »

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A UFA em Lisboa
Documentary film
1932
Cinemateca Portuguesa-Museu do cinema

Incomplet. The film follows the arrival in Lisbon of a UFA delegation to shoot some of the scenes of Estupefacientes/Der Weisse Damon (Kurt Gerron, 1932) and its french version (Stupéfiants).

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Imagens
(22 Resultados)

Halbseide
Film still
1925
DFF – Deutsches Filminstitut & Filmmuseum

Valeska Stock, Hans Albers, Kurt Gerron, Betty Astor (front, from left to right) in "Halbseide" (1925)

Detalhes
Halbseide
Film still
1925
DFF – Deutsches Filminstitut & Filmmuseum

Mary Kid, Kurt Gerron, Hans Albers, Valeska Stock (from left to right) in "Halbseide" (1925)

Detalhes
Einbruch
Film still
1927
DFF – Deutsches Filminstitut & Filmmuseum

Szene mit Kurt Gerron

Detalhes
Der blaue Engel
Film still
1929
DFF – Deutsches Filminstitut & Filmmuseum

Kurt Gerron, Marlene Dietrich

Detalhes
Einbruch
Film still
1927
DFF – Deutsches Filminstitut & Filmmuseum

Kurt Gerron, Erika Glässner

Detalhes
Einbruch
Film still
1927
DFF – Deutsches Filminstitut & Filmmuseum

Camilla von Hollay, Kurt Gerron

Detalhes
Vom Täter fehlt jede Spur
Film still
1928
DFF – Deutsches Filminstitut & Filmmuseum

Szene mit Kurt Gerron (vorne)

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Tagebuch einer Verlorenen
Film still
1929
DFF – Deutsches Filminstitut & Filmmuseum

Siegfried Arno, Kurt Gerron (v.l.n.r.)

Detalhes