"Reportage on what life is in the trenches on the Western Front. It questions the aim to be achieved in spite of the bloodshed and continuation of dying soldiers in the Belgian killing fields. This re...
Hybrid film, including American film war propaganda footage, concerning the diplomatic relations between Germany and the United States during World War I following the case of Miss Cavell, a source of...
At the time of the German occupation of Athens, a group of children steals food and other supplies from the enemy, in order to survive. Their activity turns into a form of resistance and the Germans s...
Spot Nr. 1 (00:37): Adler (Nr. 1 musikalisch): A man at supper in a room asks, „Are you musical? Then why don't you sing along?“ He sings, with accordion accompaniment from off-camera, „Adler ch...
Spot Nr. 1 (00:37): VOLKSBANKEN "Lochkarte": A family photo is shown repurposed as a punch card. The stamps are reversed. With a zoom, the photo becomes a moving image showing the family happily toget...
Spot Nr. 1 (00:34): POLAR Rum 68/1: A person dressed in fur jacket in snow flurry. „Winter time, polar time, grog time - time for Polar.“ The person is serving grog with Polar Rum. A elegantly dre...
It is an articulated film comprised of three free-standing stories with a common theme: the attitude of the Greeks under the yoke of a foreign power. The Clock, the first story, is a comedy set on the...
Postman Antonis (Orestis Makris) with Froso, his grumpy wife (Nelli Marselou) and his daughter Toula (Nelly Mavropoulou) live in a house with a yard in the district of Plaka, Athens. The same yard sha...
Sydne Rome, Marcello Mastroianni in "Was?" (1972)
Marcello Mastroianni in "Was?" (1972)
Marcello Mastroianni (left) in "Was?" (1972)
Marcello Mastroianni, Sydne Rome in "Was?" (1972)
German movie poster of "Was?" (1972)
German movie poster of "Was?" (1972)
Max Bretschneider, Kristin Suckow in "Was bleibt" (2018)
"Was bleibt" (2018)
There was not any kind of restriction noted.
The film title was changed from "Alles, was wir lieben!" to "Alles Schwindel".
Kinematograph, 149/27
Kinemathograph, 246/26
There was no kind of restriction noted.
Morgenpost,
Paimann´s Filmlisten,