Das Video zeigt die ersten fünf Minuten des Films. Filminhalt: Der alte Weinhändler Bockelmann war schon immer ein kauziger Kerl, nie hat er sich um seine Verwandtschaft geschert, das einzig Wichtig...
The video shows the first five minutes of the film.
"Wo ist Coletti?" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe" (F...
The video shows the first five minutes of the film. Film synopsis: The musical comedy "Die verliebte Firma" ("The Company′s in Love") carefully examines its own métier: During the shooting of a Ber...
The video shows the first five minutes of the film.
"Ich glaub' nie mehr an eine Frau" was digitized by DFF – Deutsches Filminstitut & Filmmuseum as part of the film heritage funding progra...
Simon Kelly, curator St. Louis Art Museum, in front of Akrobaten (Triptychon No. 3) in "Max Beckmann - Departure" (2011/12)
German movie postser of "Max Beckmann - Departure" (2011/12)
Uwe M. Schneede in "Max Beckmann - Departure" (2011/12)
Didier Ottinger, director Centre Pompidou, in front of Versuchung (Triptychon No. 2) in "Max Beckmann - Departure" (2011/12)
Erika Holmquist-Wall, assistant curator Minneapolis Institute of Arts, in front of Blinde Kuh (Triptychon No. 7) in "Max Beckmann - Departure" (2011/12)
Didier Ottinger, director Centre Pompidou, in front of Versuchung (Triptychon No. 2) in "Max Beckmann - Departure"
Ann Temkin, chief curator MoMa, New York, in front of Departure (Triptychon No. 1) in "Max Beckmann - Departure" (2011/12)
Max Beckmann in front of Argonauten (Triptychon No. 9), 1947, in MoMa in "Max Beckmann - Departure" (2011/12)
The film was permitted to young people under 16 years.
The film was permitted to young people under 16 years.