Il ministro Sforza in visita in Svizzera incontra le autorità locali allo scopo di rinsaldare i legami tra i due paesi
1 - arrivo del treno alla stazione di Berna
Sforza entra nel palazzo f...
1 - palestra: culturista mostra i muscoli
2 - culturista sostiene altri culturisti messi uno sopra l'altro
3 - culturista solleva tavola sopra le spalle con 14 persone sopra
4 - i frate...
When West Berlin’s electric plant is finally rebuilt, the city lights up – on its own power for the first time. The film stresses the importance of US aid to maintain the city in its struggle a...
Der Streetdancer Ash nimmt an einem großen Wettbewerb teil, bei dem er jedoch von der US-Dance-Crew Invincible öffentlich gedemütigt wird. Um seine Ehre wieder herzustellen, will er die besten Tän...
Die Naturdokumentation nähert sich mit Entdeckerblick den Wundern unserer Erde und erforscht ihre Landschaften und Tierarten. Darüber hinaus erzählt er in Computeranimationen von der Entstehung uns...
Fashion salesman Amadeus flirts with the secretary when his wife Emma pays him an unexpected visit. She asks for a new coat. He gives her a checkered raincoat from his storage. At home she meets her f...
Tema del congresso: il rapporto tra produzione e distribuzione.
Simon Kelly, curator St. Louis Art Museum, in front of Akrobaten (Triptychon No. 3) in "Max Beckmann - Departure" (2011/12)
German movie postser of "Max Beckmann - Departure" (2011/12)
Uwe M. Schneede in "Max Beckmann - Departure" (2011/12)
Didier Ottinger, director Centre Pompidou, in front of Versuchung (Triptychon No. 2) in "Max Beckmann - Departure" (2011/12)
Erika Holmquist-Wall, assistant curator Minneapolis Institute of Arts, in front of Blinde Kuh (Triptychon No. 7) in "Max Beckmann - Departure" (2011/12)
Didier Ottinger, director Centre Pompidou, in front of Versuchung (Triptychon No. 2) in "Max Beckmann - Departure"
Ann Temkin, chief curator MoMa, New York, in front of Departure (Triptychon No. 1) in "Max Beckmann - Departure" (2011/12)
Max Beckmann in front of Argonauten (Triptychon No. 9), 1947, in MoMa in "Max Beckmann - Departure" (2011/12)