The video shows the first five minutes of the film. Film synopsis: In 19th century London, popular show singer Gloria Vane enjoys great success. Out of love for Sir Albert Finsbury, she claims respons...
The video shows the first five minutes of the film. Film synopsis: In a small-town music hall, gorgeous Lola, who is forever "falling in love again", does a chansonette act every night. Amongst the ad...
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film.
"Der schwarze Husar" was digitized by Friedrich-Wilhelm-Murnau-Stiftung as part of the film heritage funding program "Förderprogramm Filmerbe"...
The video shows the first five minutes of the film. Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
The video shows the first five minutes of the film.Films from the National-Socialist period must be considered in the context of state-influenced production and reception. Further informations »
Since the collapse of the Soviet Union, life in Russia has become a struggle for survival. The looming state bankruptcy, the increase in crime and the lack of education and career opportunities have p...
The video shows the first five minutes of the film.
"Die Erbschaft von New York" was digitized by DFF - Deutsches Filminstitut & Filmmuseum as part of the film heritage funding program "Förderpr...
Leopold Rudolf, Paul Hörbiger
Julia Brendler in "Verbotene Liebe" (1990)
Maxim Mehmet, Felicitas Woll (vorne v.l.n.r.)
German movie poster of "Tödliche Liebe" ("Tabus der Sexualität", 1952/53)
Still with Dunja Sowinetz, Margarethe Tiesel (from left to right)
Hans-Peter Dahm, Julia Brendler in "Verbotene Liebe" (1990)
Horst Buchholz (bottom) in "Endstation Liebe" (1958)
Horst Buchholz, Barbara Frey in "Endstation Liebe" (1958)
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 614, (1918). "Kinder der Liebe" als Tendenz- und Aufklärungsfilm bezeichnet, dessen Absicht überzeuge. "Der Gefangene von Dahomey" se...
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...